‘Wolfram’ Review: Warwick Thornton Deftly Reframes Painful Indigenous Australian Experience Through the Lens of Classic Western Archetypes

Deborah Mailman is the wounded heart of this loose sequel to 2017’s ‘Sweet Country,’ set on the 1930s colonial frontier a few years after the events of the earlier film.

‘Wolfram’ Review: Warwick Thornton Deftly Reframes Painful Indigenous Australian Experience Through the Lens of Classic Western Archetypes
Deborah Mailman is the wounded heart of this loose sequel to 2017’s ‘Sweet Country,’ set on the 1930s colonial frontier a few years after the events of the earlier film.

What's Your Reaction?

like

dislike

love

funny

angry

sad

wow