Yeon Sang-ho on ‘The Ugly,’ Microbudget Filmmaking and Reclaiming Creative Freedom in Korea’s Post-‘Squid Game’ Era

The 'Train to Busan' director on how he made an artful period thriller for just $160,000 and why indie financing models could be key to sustaining Korean cinema's vitality. 

Yeon Sang-ho on ‘The Ugly,’ Microbudget Filmmaking and Reclaiming Creative Freedom in Korea’s Post-‘Squid Game’ Era
Why the Hen Does Not Have Teeth Story Book

WHY THE HEN DOES NOT HAVE TEETH STORY BOOK

It’s an amazing story, composed out of imagination and rich with lessons. You’ll learn how to be morally upright, avoid immoral things, and understand how words can make or destroy peace and harmony.

Click the image to get your copy!

Why the Hen Does Not Have Teeth Story Book

WHY THE HEN DOES NOT HAVE TEETH STORY BOOK

It’s an amazing story, composed out of imagination and rich with lessons. You’ll learn how to be morally upright, avoid immoral things, and understand how words can make or destroy peace and harmony.

Click the image to get your copy!

Why the Hen Does Not Have Teeth Story Book

WHY THE HEN DOES NOT HAVE TEETH STORY BOOK

It’s an amazing story, composed out of imagination and rich with lessons. You’ll learn how to be morally upright, avoid immoral things, and understand how words can make or destroy peace and harmony.

Click the image to get your copy!

The 'Train to Busan' director on how he made an artful period thriller for just $160,000 and why indie financing models could be key to sustaining Korean cinema's vitality. 

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