I Need A Girl Cursed With Spiritual Stubbornness’ – K-Solo makes weird demands

I Need A Girl Cursed With Spiritual Stubbornness’ – K-Solo makes weird demands
I Need A Girl Cursed With Spiritual Stubbornness’ – K-Solo makes weird demands

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Solomon Oyeniyi, better known by his stage name K-Solo, is a top music producer in Nigeria. He's been working in the business for nearly two decades, and his songs have won numerous awards.

K-Solo made the confession as a rebuttal to a statement by social media influencer Caramel Plugg, who said that males like headstrong female partners.

K-Solo admitted that he has a different taste than most people, but that many of his male acquaintances are in the camp that would sacrifice everything for a spouse as obstinate as they are.

While penning this, he reflected, "She's right. Some of the guys I know have a soft spot for gals who are inflexible on the spiritual front. It's clear that he hasn't had much sleep, as he appears to be on the verge of passing out yet is somehow still standing. I myself have found such a girl, but I have no intention of using her for any CBN rituals.

While K-Solo has been producing A-list artists and nurturing fresh talent for years, he has been somewhat silent as of late.

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It's not like I suddenly became silent," he assured them. To start, I was starting a family and needed to be present for my kids. They were at an age where they need attention and a father figure. So, I made an effort to focus on them throughout that time, and not just because I had nothing else to do. Since I've been devoting so much of my time to collaborating with superstars and mentoring up-and-coming musicians, I had to scale back my other ventures. In the end, I realized that we live in the kind of country where people do not value things like contracts, trust, transparency, dedication, or hard work. This made me pause for thought. Like I constantly tell people, if you regularly remove goods from a warehouse without replacing them, you are effectively emptying the warehouse.

These days, making music is more about making money than about making music for its own sake. A lot of the work I accomplished in the past out of pure passion and enjoyment is now coming back to haunt me. Some of the artists I've worked with have left without ever returning to express their appreciation. A few acted as if they'd never met you. Unfortunately, you fed some of them, and they never came back. Like a rebirth, I have come to terms with my sound and am no longer giving it away for peanuts.

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